The Dard-e-Dils are characterised by their prominent clavicles and love of stories. Aliya may not have inherited her family’s patrician looks, but she is prey to their legends that stretch back to the days of Timur Lang. There is a sting to most of these tales, for the Dard-e-Dils consider themselves cursed by their ‘not-quite’ twins. Amidst her growing attraction to a boy from the wrong side of the tracks, Aliya begins to believe that she is another ‘not-quite’ twin, linked to her scandalous aunt Mariam in a way that hardly bodes well.

‘Full of fun, longing and wit ? a debut of spirit and imagination, loaded with intelligent charm’ – Ali Smith

‘A touching and engrossing story ? an assured debut’ – The Times

‘A colourful and peripatetic view of politics in Pakistan ? an interesting and promising novel’ – Guardian
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BY THE ACCLAIMED WINNER OF THE WOMEN’S PRIZE FOR FICTION
SHORTLISTED FOR THE JOHN LLEWELLYN RHYS PRIZE
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Hasan is eleven years old. He loves cricket, pomegranates, the night sky, his clever, vibrant artistic mother and his etymologically obsessed lawyer father, and he adores his next-door neighbour Zehra. One early summer morning, while lazing happily on the roof, Hasan watches a young boy flying a yellow kite fall to his death.

Soon after, Hasan’s idyllic, sheltered family life is shattered when his beloved uncle Salman, a dissenting politician, is arrested and charged with treason… Set in a land ruled by an oppressive military regime, this eloquent, charming and quietly political novel vividly recreates the confusing world of a young boy on the edge of adulthood, and beautifully illustrates the transformative power of the imagination.

WINNER OF THE WOMEN’S PRIZE FOR FICTION
WINNER OF THE LONDON HELLENIC PRIZE

A BOOK OF THE YEAR IN THE GUARDIAN, OBSERVER, TELEGRAPH, NEW STATESMAN, EVENING STANDAND AND NEW YORK TIMES

The book for our times – Judges of the Women’s Prize

Elegant and evocative … A powerful exploration of the clash between society, family and faith in the modern world’ – Guardian

Builds to one of the most memorable final scenes I’ve read in a novel this century – New York Times

Isma is free. After years spent raising her twin siblings in the wake of their mother’s death, she is finally studying in America, resuming a dream long deferred. But she can’t stop worrying about Aneeka, her beautiful, headstrong sister back in London ? or their brother, Parvaiz, who’s disappeared in pursuit of his own dream: to prove himself to the dark legacy of the jihadist father he never knew.

Then Eamonn enters the sisters’ lives. Handsome and privileged, he inhabits a London worlds away from theirs. As the son of a powerful British Muslim politician, Eamonn has his own birthright to live up to ? or defy. Is he to be a chance at love? The means of Parvaiz’s salvation? Two families’ fates are inextricably, devastatingly entwined in this searing novel that asks: what sacrifices will we make in the name of love?

A contemporary reimagining of Sophocles’ Antigone, Home Fire is an urgent, fiercely compelling story of loyalties torn apart when love and politics collide ? confirming Kamila Shamsie as a master storyteller of our times.